Ten years in dance taught me how a body moves through a frame before I ever picked up a camera. Now I direct music videos, TV spots, and documentary work out of Long Beach — and most of it still starts with rhythm.

I work small on purpose. Lean crews, clear intent, room for what's actually happening in front of the lens. Analog texture next to clean cuts. Real people, real light, real time.

If the work feels like it was made by a person — that's the job.